Poetry–In-Transit

DSCN0789I wrote “The Dim Sun” while I was waiting for a bus. And then I wrote “Zen Voyager” while I on the ferry to Port Townsend, Washington. I’m glad that I carried my notebook with me in my backpack.

The Dim Sun

Freshly cut grass tickled my nose, a sneeze exploded and broke the silence

And then bees buzzed life into sleeping trees; hummingbirds dazzled wearing sparkling rainbow light.

And across the way, robins scrambled in trees belting out their seasonal songs

While bloated worms came p for air and crows gathered like school kids trampling on the mud and moss.

The dim sun lingered on the horizon signaling a new dawn and the Earth

broke into

A smile.

 

The Zen Voyager

Snakelike, the island wrapped around itself, smug with its own existence

The marine air pungent from the entrails of fish–scales, spines, and fins

And the brine of the sea.

Gulls wheel in the sky and dive into the reflective water like blown-glass

Endless calm stretches out for miles we sail along with peace songs

Embracing our hearts and wise words swirl in our minds.

The Zen traveler on board, lightened burdens and spritely feet.

She doesn’t enter this passage by carrying the past nor will the

Future provide her treasure maps.

No, only this moments and these words exist for me.

Time and place, a forgotten space as I let go

And I nose-dive with the dolphins and ride on the backs of whales…

If only in my dreams.

I know one thing.

We are safe here.

We are at peace now.

And together, we weathered the passing storm.

 

 

All Rights Reserved copyright Patricia Herlevi 2018

 

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Write It…Once Upon a Time & Other Beginnings

typewriter-584696_1920Unless we’re writing fairytales, we require original launches into our stories. Short story authors especially, wrote essays on succinct and enticing starts to short fiction. And this is doubly important with flash fiction. 

I once read a foreward to a short story collection where author Isabel Allende (one of the editors of the collection) mentioned that if you can’t nail your story within the first paragraph or two, the story won’t succeed. However, this sort of thinking often leads to writer’s block and other forms of procrastination.

For people such as me who free writes short fiction as oppose to plotting out my stories, I often balk at writing the introductions to short fiction. And yet, at other times, the stories come to me fully written complete with a seductive opening line.

Here are examples of introductions to both my short fiction and my novels. And my trick is to get everything on paper or on to a Word file. Then, I go back and rewrite the opening paragraphs. My writing grows stronger as I delve in more deeply with my characters and watch their movies in my thoughts.

 

“Marcos first encountered her face glimpsing through a crowd of shoppers. Next, he saw her slight frame draped in a black skirt that clung to her thighs and swirled around her knees, her white blouse hugged her torso and a pendant swung around her breasts like a pendulum.  Her body appeared and disappeared down the aisles of the natural grocer as she rushed about tossing tomatoes, mushrooms, mangos, and bags of flours into her cart, then ticking items off of a list—a true picture of elegance and efficiency.”—Apple of Seduction (short fiction)

“He never gave her the china cabinet or piano.  He gave her jewelry, clothing, china, and trinkets from countries he traveled to, but he failed to grant his wife the two things she wanted most in her life.”–The China Cabinet (short fiction)

“Miranda saw Pierre’s face reflected on a window of a coffee shop.  She battled against her doubts and stood frozen by the shop’s door, realizing that she could’ve pretended to browse the various exotic bags of coffee beans that strewn the shelves of the old world style shop. She could have drunk in all the smells of pastries baking in the back or reveled in the French swing jazz that wafted through the shop, but instead she dashed to the bus station to catch her connection.”–Love Quadrangle (novel)

“She fascinated me–the way Maggie flipped her hair back with a whisk of her hand while she played her instrument. All in one motion she swiped the hair away from her face and strummed her guitar without missing a beat.  In my foolish girl heart, I imitated Maggie–carefree and indifferent to consequences.”–Maggie Magdalene (short fiction)

I think this suffices as examples. I still go back to my old stories and rewrite or polish the introductions. As we evolve as writers, we owe it to ourselves to revitilize our archival stories by applying new tools and techniques. And often times, this proves more fruitful then starting from scratch.

Often times, our original stories already have solid bones. As we improve as writers, we don’t need to reinvent the stories but we do need to reinvest in them. Some stories haunt us for years until we flesh them out, polish the beginnings and strengthen the conclusions.

I have written screenplays, novels, and short fiction since my thirties. I concentrated on mainly poetry and song lyrics in my twenties. And I’ve learned that we must show up with courage in our hearts to embrace the creative spirit or muse. Some stories require finessing over the years until we get it right or get into the zone.

We surrender what doesn’t work and then we wait it out until inspiration fires us up. That could be one day, two weeks, or three years before that happens. In the meantime, we go back to the drawing board with a different story or work on another creative project. Then when the time is right and inspiration strikes, we write that seamless story that leaves our readers breathless.

All Rights Reserved, copyright Patricia Herlevi

Except image which is from Pix a Bay.

 

 

 

 

The Practice–Writing During a Life Transition

DSCN1073Often, when I’m undergoing monumental changes in my life, the last thing I want to do is write. I feel as if the words lodged themselves behind a dam and I’m unable to interpret my emotions as I endure changes. Or I believe that no one wants to hear about the suffering I’m enduring or the play-by-play workings of my day.

However, this is the perfect time to write. This is where we find our creative spirit in raw materials. We can turn our experiences into gold by writing poems, essays, or blog posts such as this one. And maybe these words act as a balm for someone on the other side of the city or the world enduring similar circumstances.

I wrote most of my novels and screenplays during harsher times in my life. I wrote the original screenplay for Agnes and Yves when I was suffering from multiple chemical sensitivities. I did not have any furniture so I propped my word processer on pillows and wrote the screenplay from bed. When I completed Enter 5-D I was living in between homes (basically, homeless).

Here are tips for turning life experiences into gold on a page:

  • Get gritty during the rough draft. Allow emotions to erupt and pour out on the page. Stop and pound your fists into a pillow and scream if this helps with the process but get it all out.
  • Research other people’s stories of similar situations
  • Join a support group or a writing group that focuses on life stories
  • Journal and share your entries with a coach or therapist
  • Write every day even if it is just in a journal and even if it’s just one paragraph
  • Don’t censor yourself (based on how you should feel or act)
  • Let it rip
  • Tear the pages up if you must then clear the room with sage
  • Name your emotions and then befriend them

You might transform your blog posts or journal entries into a memoir, if you feel that it adds value to the world. But mostly, we use our writing efforts for catharsis as we make sense of events that visit us.

I offer creativity coaching using astrology, cards, and other types of divination. Sign up at Whole Astrology.

Write It–Memoir: Revenge versus Telling a Higher Truth

Queen Anne tub, 1995
Photo from 1995: Taken by Liz Herlevi

I never thought I would write a memoir. For the most part, I find reading memoirs tedious as writers tend to include too many details and tell their story in a linear way. Many memoirists also seem to have barbs attached to their pens.

The reason why Eat, Pray, Love enjoyed success wasn’t because Liz Gilbert struck out to get revenge on her former husband or the lifestyle she was supposed to embrace. The memoir received worldwide attention because the author stripped herself bare while allowing raw, yet universal emotions to splatter on to the pages of her book. Gilbert also chose a non-linear structure for her memoir, even though her travelogue traveled from Italy, then India, and finally, Bali. Gilbert also tells her story in a self-effacing, humorous, and relatable voice–at least familiar to middle-class American women of a certain age.

But when I was wading through manuscripts on the defunct Authonomy website years ago, most of the memorists made several mistakes in my opinion. They used too many passive verbs, they regurgitated their lifestory instead of focusing on a slice of life, and they chose macabre topics without providing some brighter moments or comic relief. Some authors would have been better off hiring a ghost writer since their writing skills were rudimentary or told in a second language. And yet, an author learns a lot by critiquing other people’s work while also reading the top memoirs on the charts.

The main question for me revolves around baring one’s soul. How many sensitive topics or secrets do I reveal in my work? And am I revealing these secrets to tell a universal story or am I seeking revenge on a subconscious level? It helps to spend time in therapy while writing material with suffering rooted in childhood situations, as is the case with my memoir, Woman Sleeping on a Couch. And the good news is that the writing process proved cathartic and I did bring up these deeper issues during therapy sessions. But I still ask myself if my story is universal or just too painful to share with others?

Determine whether or not you’re shooting from the hip or if sharing your story has the power to heal others.

  • Will telling your story divide a family or cause a rift with relatives?
  • Will your story withstand the scrutiny of critics (both professional and personal)?
  • Can you write your story in an entertaining manner where you laugh at yourself and reveal your vulnerabilities (shadows and projections)?
  • Do you take responsibility for your end of the story or act like a victim?
  • Do you discern the difference between events that serve the story and events that serve the ego?
  • Will telling your story land you in legal hot water or liberate you?
  • Does your story share an arc with fiction? Do you have a strong beginning, middle and resolution or is your story open-ended?

Writing memoirs rubs the conscious raw. Writing memoirs strips the soul bare. And not everyone wants to read about people’s personal history unless it strikes a common thread. And the most popular memoirs revolve around travel, food, love/romance, and animals. If you take a more universal approach by anchoring your story in one of those themes, you have a greater chance of hitting the literary jackpot.

My sister and I used to have a conversation where she believed that everyone has an interesting story to tell. But face it, not everyone is a storyteller. And while it’s enjoyable to sit with friends, colleauges, and family members as they spin nostalgic and revealing yarns, a memoir stretches those yarns to 300 pages, which causes some yarns to snap and break.

However, if a story has a strong beginning, middle, and end with an overarching universal theme, then it is worth telling. Just be willing to rewite the “truth” through several drafts. And then depending on the material in the story, muster the courage to weather any storms that come from secrets and situations contained in the memoir. Once we let the worms out of the can, it’s too late to put a lid on it.

I’m an author and astrologer who provides coaching for creative professionals. Go to Whole Astrology to sign up for a session.

 

Write it–Remedies for Overwriting

Vancouver 2002I hope that you’re not a writer such as me who juggles several blogs, writes for publications, squeezes in short fiction, and rewrites several novels because if I don’t have something to write, I get twisted out of shape. Even writers of this ilk require rest for an exhausted brain. So, I’m going to share some practices with you to relax your mind and body, even when you feel an urgency to keep writing.

I often wonder if a fear of death causes me to keep writing, even when the words appear blurry on my laptop screen. It’s not that I wish to immortalize myself, but I feel like I cheat death if I have a project that requires completion. Or maybe there’s something else lurking beneath the surface. And perhaps, all artists struggle with this urgency to create at all cost to the mind-body-soul.

And yet, we can’t create from a dry well. And we fill the well through rest, relaxation, and recreation. I like the word, “re-creation” because it suggests that when we enjoy ourselves we become more creative. And it doesn’t matter if recreation revolves around canoeing, kayaking, fishing, hiking, walking, or engaging in a group sport. Photography also provides a form of recreation, if you don’t make a living as a professional photographer. And writing poetry also counts if you’re not writing poems for publication. Even, journaling provides an outlet for recreation, especially if it is combined with camping, hiking, or other outdoor activities.

Healthy Escapes from the Overwork:

  1. Stroll around a neighborhood block or take a long walk across town or a city. Go some place you haven’t been before.
  2. Travel short-distance by train or a commuter bus. Allow your mind to drift as you gaze out the window. You could bring a journal, but it’s better not to write down the thoughts. Instead, get lost in tangents.
  3. Listen to music.
  4. Play music, such as drums, guitar, flute, or jam with other musicians. Music is a good way to get back in touch with your physical body. It also entertains the creative muse.
  5. Put on music and dance.
  6. Practice yoga.
  7. Meditate.
  8. Go to lunch with friends or take yourself out to lunch at a cafe.
  9. Sit in a city park and observe others.
  10. Take the dog for a walk.
  11. Go the beach and build sand castles. It’s good sometimes to make things that have a short lifespan.
  12. Bake cookies or bread.
  13. Cook a meal for a friend.
  14. Clean house.
  15. Work with singing bowls or tuning forks to clear your aura.

Try not to:

1. Spend too much time on social media

2. Rant

3. Gossip

4. Get drunk

5. Shop for things you don’t actually need

I like the idea of recreation. And I also like the idea of delving into the subconscious mind and healing toxic beliefs and patterns that turn us into workaholics. We have nothing to prove to the world. No one really cares how many words we type each day unless we work for an editor or we are way past our publication deadline for a book.

And one last piece of advice. If you tend to overwork yourself there is no danger that anyone will ever call you lazy. You have nothing to prove to the world. And you don’t require anyone’s approval. But when you’re relaxing, you’ll discover the part of you that requires healing, which is probably a punitive parental voice in the back of your mind.

Sign up for a creative coaching session with me. I use astrology, cards, and channeling as tools to help you to show up as the best version of yourself. And also check out my metaphysical articles.

 

Write it—Choosing Your Novel’s Music Soundtrack

375px-Glenn_Gould_1
Glenn Gould informs my writing…

My writing process changed with each of my novels. When I wrote my first novel, Super-Natural Heroes, I handwrote the entire novel in two notebooks. Instead of writing my morning pages, I wrote three pages a day for my novel. Many of the chapters ended up as three page chapters. 

With my fifth novel, Enter 5-D, I wrote my plot lines and character traits on huge white sheets of paper which covered the floor of a 350 square foot apartment (really a converted garage). Both my first and fifth novels feature multiple plots and since I tend to go into a trance when I write, I needed concrete guidance which is why I drew my plot on the large sheets of paper. I also created a vision board for my novel.

The other practice I have with all my novels is that I listen to music which I would use for the movie soundtrack for my stories. When I worked on Love Quadrangle, I mainly listened to Glenn Gould performing Bach’s Goldberg Variations which does appear in my novel and in fact, provides a theme for the novel. I listened to Gregorian Chant while I worked on Super-Nature Heroes, and I listened to French cafe music (mostly French swing) when I worked on Agnes and Yves.

Since I’m currently editing my fifth novel, I’ll talk about the soundtrack music for this novel. I started listening to Nick Drake as I worked on this novel. And one song in particular, “River Man” became the theme for my Ferryman character. And the song plays in my thoughts when I am even thinking about my novel. Other Drake tunes that I associate with Enter 5-D are “Pink Moon,” and “Things Behind the Sun.”

Since my protagonist Eurydice is an opera diva who is best known for her role as the Queen of the Night (The Magic Flute), I watched Diana Damrau’s performances of this role performing “The Queen of the Night Aria”. I also include Miles Davis’ Kind of Blue in the background.

I’m a musician and have immersed myself in music my entire life. My mother even played music for me while I was still in the womb. So, music always plays a key role while I’m writing a novel. And it’s not just background music. I write from listening to tone, timbre, and rhythms. My novels have a sense of musicality in them. Silence plays a role too.

When choosing a soundtrack for a novel (and possibly the movie version later), let’s consider the following.

  • What are the characters’ dominant moods and personality traits? What songs would define each of the characters, even a phrase from a song?
  • What songs describe the landscape of the novel?
  • Songs provide melodic tension and rhythm.
  • Which songs honor the pace of the novel?
  • And which songs provide themes for the novel?

You can add other questions to this list. And don’t stick with the usual musical genres either. If you normally use pop music for your soundtracks, shake it up a bit and try classical or jazz chamber music. Why not listen to music from around the globe, especially if your story takes place in a foreign country?

If you would like a coaching session on becoming consciously aware of music or would like help coming up with a soundtrack for your novel, sign up for a coaching session. I am a music expert and I provide you with this blog Whole Music Experience which features reviews and interviews, as well as, some music examples. For world music, check out World Music Central.