Unless we’re writing fairytales, we require original launches into our stories. Short story authors especially, wrote essays on succinct and enticing starts to short fiction. And this is doubly important with flash fiction.
I once read a foreward to a short story collection where author Isabel Allende (one of the editors of the collection) mentioned that if you can’t nail your story within the first paragraph or two, the story won’t succeed. However, this sort of thinking often leads to writer’s block and other forms of procrastination.
For people such as me who free writes short fiction as oppose to plotting out my stories, I often balk at writing the introductions to short fiction. And yet, at other times, the stories come to me fully written complete with a seductive opening line.
Here are examples of introductions to both my short fiction and my novels. And my trick is to get everything on paper or on to a Word file. Then, I go back and rewrite the opening paragraphs. My writing grows stronger as I delve in more deeply with my characters and watch their movies in my thoughts.
“Marcos first encountered her face glimpsing through a crowd of shoppers. Next, he saw her slight frame draped in a black skirt that clung to her thighs and swirled around her knees, her white blouse hugged her torso and a pendant swung around her breasts like a pendulum. Her body appeared and disappeared down the aisles of the natural grocer as she rushed about tossing tomatoes, mushrooms, mangos, and bags of flours into her cart, then ticking items off of a list—a true picture of elegance and efficiency.”—Apple of Seduction (short fiction)
“He never gave her the china cabinet or piano. He gave her jewelry, clothing, china, and trinkets from countries he traveled to, but he failed to grant his wife the two things she wanted most in her life.”–The China Cabinet (short fiction)
“Miranda saw Pierre’s face reflected on a window of a coffee shop. She battled against her doubts and stood frozen by the shop’s door, realizing that she could’ve pretended to browse the various exotic bags of coffee beans that strewn the shelves of the old world style shop. She could have drunk in all the smells of pastries baking in the back or reveled in the French swing jazz that wafted through the shop, but instead she dashed to the bus station to catch her connection.”–Love Quadrangle (novel)
“She fascinated me–the way Maggie flipped her hair back with a whisk of her hand while she played her instrument. All in one motion she swiped the hair away from her face and strummed her guitar without missing a beat. In my foolish girl heart, I imitated Maggie–carefree and indifferent to consequences.”–Maggie Magdalene (short fiction)
I think this suffices as examples. I still go back to my old stories and rewrite or polish the introductions. As we evolve as writers, we owe it to ourselves to revitilize our archival stories by applying new tools and techniques. And often times, this proves more fruitful then starting from scratch.
Often times, our original stories already have solid bones. As we improve as writers, we don’t need to reinvent the stories but we do need to reinvest in them. Some stories haunt us for years until we flesh them out, polish the beginnings and strengthen the conclusions.
I have written screenplays, novels, and short fiction since my thirties. I concentrated on mainly poetry and song lyrics in my twenties. And I’ve learned that we must show up with courage in our hearts to embrace the creative spirit or muse. Some stories require finessing over the years until we get it right or get into the zone.
We surrender what doesn’t work and then we wait it out until inspiration fires us up. That could be one day, two weeks, or three years before that happens. In the meantime, we go back to the drawing board with a different story or work on another creative project. Then when the time is right and inspiration strikes, we write that seamless story that leaves our readers breathless.
All Rights Reserved, copyright Patricia Herlevi
Except image which is from Pix a Bay.