My writing process changed with each of my novels. When I wrote my first novel, Super-Natural Heroes, I handwrote the entire novel in two notebooks. Instead of writing my morning pages, I wrote three pages a day for my novel. Many of the chapters ended up as three page chapters.
With my fifth novel, Enter 5-D, I wrote my plot lines and character traits on huge white sheets of paper which covered the floor of a 350 square foot apartment (really a converted garage). Both my first and fifth novels feature multiple plots and since I tend to go into a trance when I write, I needed concrete guidance which is why I drew my plot on the large sheets of paper. I also created a vision board for my novel.
The other practice I have with all my novels is that I listen to music which I would use for the movie soundtrack for my stories. When I worked on Love Quadrangle, I mainly listened to Glenn Gould performing Bach’s Goldberg Variations which does appear in my novel and in fact, provides a theme for the novel. I listened to Gregorian Chant while I worked on Super-Nature Heroes, and I listened to French cafe music (mostly French swing) when I worked on Agnes and Yves.
Since I’m currently editing my fifth novel, I’ll talk about the soundtrack music for this novel. I started listening to Nick Drake as I worked on this novel. And one song in particular, “River Man” became the theme for my Ferryman character. And the song plays in my thoughts when I am even thinking about my novel. Other Drake tunes that I associate with Enter 5-D are “Pink Moon,” and “Things Behind the Sun.”
Since my protagonist Eurydice is an opera diva who is best known for her role as the Queen of the Night (The Magic Flute), I watched Diana Damrau’s performances of this role performing “The Queen of the Night Aria”. I also include Miles Davis’ Kind of Blue in the background.
I’m a musician and have immersed myself in music my entire life. My mother even played music for me while I was still in the womb. So, music always plays a key role while I’m writing a novel. And it’s not just background music. I write from listening to tone, timbre, and rhythms. My novels have a sense of musicality in them. Silence plays a role too.
When choosing a soundtrack for a novel (and possibly the movie version later), let’s consider the following.
- What are the characters’ dominant moods and personality traits? What songs would define each of the characters, even a phrase from a song?
- What songs describe the landscape of the novel?
- Songs provide melodic tension and rhythm.
- Which songs honor the pace of the novel?
- And which songs provide themes for the novel?
You can add other questions to this list. And don’t stick with the usual musical genres either. If you normally use pop music for your soundtracks, shake it up a bit and try classical or jazz chamber music. Why not listen to music from around the globe, especially if your story takes place in a foreign country?
If you would like a coaching session on becoming consciously aware of music or would like help coming up with a soundtrack for your novel, sign up for a coaching session. I am a music expert and I provide you with this blog Whole Music Experience which features reviews and interviews, as well as, some music examples. For world music, check out World Music Central.